Film Music Legend Visits Japan for the First Time in 30 Years to Perform with Saito Kinen Orchestra for the First Time in a Miraculous Concert. John Williams, a legend who has shaped the history and sound of film music, visited Japan for the first time in 30 years last September. John Williams is a legendary composer and conductor, who has been a top runner in Hollywood film music for over 50 years, winning five Academy Awards, four Golden Globe Awards, and a total of 26 Grammy Awards, including the recent Grammy Award for “Best Instrumental Composition” at the 66th Grammy Awards. He is a legendary composer/conductor. John Williams came to Japan last September at the invitation of Seiji Ozawa for the “Seiji Ozawa Matsumoto Festival,” for which Ozawa serves as general director, and for a special performance held in conjunction with the festival to celebrate the 125th anniversary of Deutsche Grammophon’s founding. This will be his first collaboration with the Saito Kinen Orchestra. Tickets for both performances were sold out on the same day.
John Williams and Seiji Ozawa have been close friends since Ozawa was the 13th Music Director of the Boston Symphony Orchestra and the organizer of the Tanglewood Music Festival. The collaboration of John Williams and the Saito Kinen Orchestra in Japan has been a longtime dream of Seiji Ozawa.
This 2024 release followed on the recorded concerts nonagenarian John Williams conducted in Berlin and Vienna, cementing his worldwide recognition as one of the greats. In a way, it completes a trilogy in this vein, but this recording also has an added function. Williams ensemble here, in a pair of concerts, is the Saito Kinen Orchestra, formed by conductor Seiji Ozawa in 1984. The recording commemorates several aspects of the relationship between Williams and Ozawa, which dates back to Ozawa’s tenure as conductor of the Boston Symphony Orchestra, and it represents the fulfillment of a long-held dream on Ozawa’s part to have Williams conduct his hand-picked group. Moreover, given Ozawas death in February of 2024, the album takes on a memorial quality, and it includes at the end a performance, conducted by Stephane Deneve, of Williams classical composition Tributes! (for Seiji), written in 1999 to mark Ozawa’s 25th anniversary as conductor of the Boston Symphony. The recording thus has a great deal of symbolic significance. As for the rest of the program? For this audience, Williams stuck to the classics, with really no rarities: it is mostly Star Wars, Harry Potter, and Indiana Jones, with the perennially popular Superman March to start things off. The orchestra takes easily to Williams music, and any audience might enjoy this album simply as a collection of Williams greatest hits. ~ James Manheim
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